Winter's
Tale by Mark Helprin.
A magical realist tale about a man and woman in a fantastical
Manhattan we have always wished for but never known. Apparently
Scorsese was interested in this for a long time and it
has gone in and out of option for years. Understandably
so.
Dreams of Leaving
by Rupert Thompson.
A man, a contemporary Candide, living in a small English
village discovers no one from there has ever left. But
he does and goes to a slightly skewed London that is
vaguely familiar and thoroughly magical. But like all
good Candides, he chooses to go home again and that's
where the trouble begins.
Mister Touch
by Malcolm Bosse.
After the world ends (with a bang), some of the survivors
walk out of a broken New York in search of whatever
promised land is left, led by Mister Touch himself.
Reminiscent of The Stand but different enough to be
intriguing and very satisfying.
The Watcher
by Charles Maclean.
One of the few books I've ever read that genuinely scared
me. The first fifty pages alone are enough to make it
worthy of being turned into a film.
The Easter House
by David Rhodes.
Combine Psycho with In Cold Blood and the Addams Family
and you have this story. Rhodes wrote three wonderful
books and then disappeared. Both his work and the work
of Edward Whittemore should immediately be reissued.
Whittemore died a few years ago, forgotten, and I'm
just hoping Rhodes is still around, even if his pen
is silent.
Sinai Tapestry
by Edward Whittemore.
Everything Tom Robbins is not. Funny, profound, visionary,
learned. This is the story of who really wrote the Bible
and everything you ever heard about god but were too
afraid to ask.
Von Bek by Michael
Moorcock.
A man who willingly makes a deal with the devil and,
amidst swords and sorcery and the Holy Grail (to mention
a few), shows us how the grand scale should really he
done. Why hasn't Hollywood tuned into Moorcock's channel
yet?
Let's Put the
Future Behind Us by Jack Womack.
No one knows what's going on in Russia these days except
Womack, clearly. This book in the right hands could
be turned into A Clockwork Orange.
The Child Garden
by Geoff Ryman.
Because everything is there for a great fantasy film.
Don't change a letter.
© Jonathan
Carroll - published in Fantasy & Science Fiction
July 1998
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